Archive Page 2155
February 7, 2023
Comic of the Week. Batman #140 from 1961. Cover by Sheldon Moldoff. The Ghost of the Joker! by Bill Finger. Art by Moldoff and Charles Paris. The Charmed Life of Batman! by Finger. Art by Moldoff. The Eighth Wonder of Space by Finger. Art by Moldoff and Paris. Great alien story! pic.twitter.com/Gqx23huS0B
— Kevin Stawieray (@skeezix161) February 15, 2023
Shonen Jump cancels High School Family after eight volumes for low sales – comicbook
"Hollywood ass" saved by Tom Cruise, says Spielberg – Bounding into Comics
The Japanese basketball comic book series "Slam Dunk" has sold over 1 million copies in South Korea
Story at Yonhap News
She’s the first Black woman with a mainstream syndicated comic strip. Now, she reflects. https://t.co/VaPazdtzBG
— The Washington Post (@washingtonpost) February 14, 2023
New Super Bowl Flash Preview Trailer w/Michael Keaton
To generate income, will Disney license out some TV shows to other streamers? – Boundingintocomics
If that becomes the new model, its actually the old model by which Disney generated a lot of money in the past.
"Oversaturation" of Superhero properties – Motley Fool
Long dismissed as lowbrow, comic books are increasingly high finance. The intellectual properties contained within their pages are some of the most profitable pieces of the entertainment and merchandising businesses."
The article talks about comic books for awhile, but the real subject here is the high-earning world of the films. They ask, is "superhero fatigue setting in?" – I would say, remember that this same question was the dominant one (for example) when the expensive Green Lantern film of July 17, 2011 bombed at the box office. Green Hornet had come out in January and had under-performed, and when GL tanked it was the feeling maybe the rush on superhero films had ended. More evidence was that 2011 is also the year Thor, Captain America the First Avenger, and X-Men First Class came out, and while all three performed all right, none were blockbusters, so the feeling was the "fad" had peaked.
But then came 2012 and only three superhero films were released, one being The Avengers, which blew the doors off of theaters ($1.5 billion in earnings), effectively killed the question of "superhero fatigue" and set the model for franchise-making that has been followed since.
The proper conclusion looks to be simple and even obvious: when the ideas become stale and the CGI (an equivalent would be slick art in the books) dominate to compensate for idea paucity, the genre fades, and when new ideas (even if those ideas are just clever twists on older, forgotten ideas, regrown by a new generation to whom the ideas are actually fresh and fairly unknown) the genre gets re-awakened.
The principal that has governed comic book superheroes (whether its the paper products, TV or the films) is that original ways of showing the superhero "idea" that is attractive to the mass audience can "click" and generate intense interest from customers. The downside, simplified, is that it also launches an enormous army of imitators who begin repeating all of the new imaginative ideas until we've returned to a stage of dry repetition.
Perhaps the main failing for the industry and it's corporate handlers is that a strategy of just doing what's come before fits with the safety paradigm of corporate thinking, followed by the corollary that the way to sucker the audience is to embellish the tried-and-true better and make it shinier, can only hold the attention for a short time and then, well, "new" stories seem as familiar as "old" stories and the audience will no longer pay attention. And that doesn't even calculate the other burden of new ideas in any creative field: failure to connect to the audience.
Perhaps the upside to this double-whammy of failure combined with the weary attention span of the 21st century audience "that's seen it all" so that when when something appears that is clever, creative, and however crudely fashioned, powerful, will snap attention to itself because it contrasts so readily against what's surrounding it.
The actual Thanos killer in the comic books finally gets his moment in the sun, no disrespect to Captain Marvel. @drhenry1911 https://t.co/Zvrgk5KWY6
— Moar!!!!! choices (@daemonova) February 13, 2023
The Flash movie "new trailer" is coming to TV during the Sunday Feb 12 Super Bowl event (Kickoff is 6:30 East Coast time). The film itself is slated for release June 16, 2023. Warner Bros has also released a new promo poster:
The poster seems to be telling us that though this is titled The Flash its got a bat-load of The Batman in it.
Manga [and webtoons] walloping American Comics – comicbook
more fun with data -- @EuropeComics posted this graph showing the estimated revenue of the top 10 comics publishers in the world in 2020-2021. Top 4? All #manga publishers, w/ Korean #webtoons (Kakao/Tapas) and Naver (Webtoon) in the #5/#6 spots, passing Marvel & DC with ease. pic.twitter.com/Dzv3GL5kLV
— Deb Aoki (@debaoki) February 7, 2023
The million-dollar comic book struggle – CollectMe
Superman vs Batman vs Spider-Man for highest valuation.
Interview with Frank Quitely – BBC News
Time to kill another Superman, it's Tuesday – MSN News
Original page Febraury 14, 2023