Archive Page 2236
April 2025
Henry Cavill doing a Highlander reboot at Amazon – Newsweek and shock devastates celebritytown as Cavill grows his hair out and somehow this is big news
Five-issue "Godzilla destroys the Marvel Universe" series this summer – Cosmicbook
Nigerian cartoonist Obe Ess has died – Dailycartoonist
Grant Morrison back on Batman, again, after ten years – Gamesradar
About the Diamond Comics Distributors Bankruptcy Deal – The Comics Journal
Back-scene scrambling hasn't made this a simple sell-off, though it looks like, after some legal wrangling, Alliance Entertainment is going to be the winner in purchasing Diamond.
Comics are a $5 product, yet somehow PRH and Lunar are making money distributing them, so perhaps Ogilvie will find a way as well..."
Bruce Ogilvie joined Alliance Entertainment as CEO in 2001.
The July DC Books (list with covers) – Bleedingcool
Todd McFarlane says a good Batman would be Spock, that is, Zachary Quinto – Boundingintocomics
Anthony Mackie talks about what's ahead with Avengers Doomsday – Comic Basics
Marvel comics bringing back "swimsuit special" after decades – Gamesradar
Press release from Marvel about it – Marvel
Marvel presents new promo poster of Fantastic Four for the coming film – Marvel
Interview with Dan Nadel who wrote "Crumb: A Cartoonist's Life" – The Comics Journal
Batman going AI? – Bleedingcool
The New Zealand AI and metaverse company Futureverse has today announced it has acquired Candy Digital, an NFT digital collectibles platform, that includes licenses to Major League Baseball, Netflix, and DC Comics...."
Federal judge makes decision and now Diamond Comic Distributors has an official buyer – Baltimore Banner
Mikey Madison offered Star Wars film but says "no" – Superherohype
Mark Waid, Joshua Williamson , and Dan Slott on handling Superman right now: don't screw up – Polygon
Superman is a character that, over the decades of knowing comic book aficionados, I have yet to meet a collector who places this original "superhero" as their number one favorite. Like me, there's plenty who find the character important and certainly collectible as an investment, but as a favorite character the way some fans prefer Batman, Spider-Man, etc? Nope. But, they must be out there, right? If so, DC Comics is trying hard to please them as we start gliding toward the July Superman movie release when James Gunn has the tricky business of saving the DC-side of the cinematic superhero business.
Williamson — one of the architects of DC’s All In initiative, encompassing new creative teams, new directions for books, and the highly successful Absolute Universe — is first out of the gate with a new story arc that starts in the double-length Superman #25, drawn by Dan Mora and hitting shelves on April 23. And he said that Superman remains at the heart of DC Comics’ biggest plans for 2025 and beyond..."
My experience with Superman comics was there was an appeal to the character's books only if the stories inside were interesting or not. It was one of the titles I could obtain pretty easily through trading, and on pretty good terms (Batman was much harder, so was Spider-Man. Much less so were Archies and various kid comics like Little Lulu and Hot Stuff, etc.). If a Superman issue had a good story, that made the character better (to me) and the issue better, too, so that in the many short boxes stacked on my shelves, there's a several dozen Superman comics (mostly from the bronze era) that I wouldn't part with except under duress (also they're not in great shape, either, so there's hardly much pressure).
On the other hand, when I saw an excellent condition issue of Superman #233 (the famous chain-busting Neal Adams cover) for a good price, it was a worthy investment that generated some enthusiasm out of me for this forlorn character that scores better with "normies" than within the hobby itself.
"Almost unheard of" latest comic books fresh from the printer picked up in person by Rob Liefeld flying from California to Arizona – Hollywood Reporter MSN
This is kind of an odd little story since comic book artists picking up their self-published comics from the printer is only as rare as self-published comic books (which is hardly rare at all, just ask me), but the story ties it all in to the anniversary of Youngblood.
A few weeks ago, Rob Liefeld flew to Arizona to see his latest comic fresh off the printers. Holding the books in his hands, he admired the artistry, from the quality of the paper to the feel of the spine. A few hours later, he boarded a return flight to California, carrying with him 80 comics across five different editions of Youngblood, the title that launched Image Comics in 1992.It's almost unheard of for a creator to hand-select every detail about a book, much less transport the copies themselves. But Liefeld wanted to try something new for the 33rd anniversary of Youngblood..."
Comic book prequel for Rebel Moon movie coming – Variety
Captain America: Brave New World writing team member Rob Edwards reflects on how the film has fared – Boundingintocomics
Movies take time to make," he detailed. "During the production of this movie there was quarantine. I started my work in 2020 and that was during quarantine. We came out of that for a stretch and then there was the strike, and then the strike on top of the strike. Those lasted longer than people remember. It was almost a year. And then there was production. And no matter what movie you’re making, you’re always going to reshoot stuff, so there’s a natural progression of filmmaking and its easy to misinterpret that."
Captain America Brave New World at $413,930,016 worldwide – The Numbers
Is Hollywood on the way to becoming "Detroit"? – Hollywood Reporter
The specter of Los Angeles becoming another Detroit, a city built on a specific industry that became a shell of its former self when that business moved out, loomed over a compelling film and TV industry town hall that tackled not only the calamitous drop in production in Hollywood and California, but also the fight to get the state to increase its entertainment production tax incentive."
This recent article researched how the cost of Cap4 is much larger than the superhero "super-production" of Batman 1989. Part of the point was how that production for 1989 was considered an unusually large amount of money spent at the time, but Cap4, which accounting for inflation and other factors is substantially higher in cost (by a third) over Batman, and yet Cap4 is right in line with what superhero films like it are costing in the 21st century. What has changed to explain this extraordinary increase of cost far exceeding inflation?
Get into the Public Domain archives that are online at Graphic Chatter
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Original page May 3, 2025